Come away with me by Abbie White

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This acrylic on raw canvas painting is an abstract work that comprises of big brush stokes made with a wooden broom. They sweep across the canvas almost like a watercolour. The fluid blush and earth toned paint seems to float across the canvas. The small details in charcoal, graphite and watercolour create depth and interest in their subtle random markings.
The tasmanian oak frame holds it all together.

This acrylic on raw canvas painting is an abstract work that comprises of big brush stokes made with a wooden broom. They sweep across the canvas almost like a watercolour. The fluid blush and earth toned paint seems to float across the canvas. The small details in charcoal, graphite and watercolour create depth and interest in their subtle random markings.
The tasmanian oak frame holds it all together.

This acrylic on raw canvas painting is an abstract work that comprises of big brush stokes made with a wooden broom. They sweep across the canvas almost like a watercolour. The fluid blush and earth toned paint seems to float across the canvas. The small details in charcoal, graphite and watercolour create depth and interest in their subtle random markings.
The tasmanian oak frame holds it all together.

This acrylic on raw canvas painting is an abstract work that comprises of big brush stokes made with a wooden broom. They sweep across the canvas almost like a watercolour. The fluid blush and earth toned paint seems to float across the canvas. The small details in charcoal, graphite and watercolour create depth and interest in their subtle random markings.
The tasmanian oak frame holds it all together.

This acrylic on raw canvas painting is an abstract work that comprises of big brush stokes made with a wooden broom. They sweep across the canvas almost like a watercolour. The fluid blush and earth toned paint seems to float across the canvas. The small details in charcoal, graphite and watercolour create depth and interest in their subtle random markings.
The tasmanian oak frame holds it all together.

Abbie White
27 artworks

Brisbane, Australia

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Artwork Description

Acrylic on canvas, stretched and ready to hang.

Signed on the back.

This artwork comes with an external frame

Acrylic on Raw Canvas
Framed in Tasmanian oak.
If you would prefer this painting unframed, let me know!

Come away with me, is part of a collection of paintings inspired be smooth Jazz tunes. The kind you fill up a glass of whiskey to and sink into the leather couch to listen to. This song by Norah Jones seems to always pop into my Jazz playlist, even though it's not what I would typically call jazz. But the chill vibe, makes me want to sink into the leather armchair just the same.
This piece in painted with acrylic paint on raw canvas. It gives an almost watercolour effect. The details come from charcoal, pencil and watercolour. The big sweeping details are painted with a big wooden broom which give an unpredictable movement to the piece.

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Medium

Acrylic on Raw Canvas

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Stretched and ready to hang

This artwork is currently stretched and ready to hang.

It comes with an external frame.

Framed dimensions - 63.0(W) x 93.0(H).

Artwork dimensions - 60.0(W) x 90.0(H).

Music Art, Culture Art

#large, #dynamic, #music, #song, #love, #romance, #abstract, #blush, #boho, #Earthy, #apricot, #white

Abbie White
27 artworks

Brisbane, Australia

Ask Abbie a question

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All art by Abbie White

This acrylic on canvas painting is an abstract work that comprises if big bold dark brush strokes that rise up the middle of the canvas. The bringht pink background acts as a contrast to the dramatic brush strokes dancing around the canvas. The details are neon pink splashed in spray paint and white marks like heartbeats across the canvas.
The tasmanian oak frame holds it all together.

Acrylic watercolour on raw canvas
Earthy swosh that sweeps up to the right hand corner and then down the righthand side of the canvas in a delicate manor.
the paint seeps into the canvas like a watercolour.
There is a large black charcoal scribble on the bottom right hand corner symbolising the person struggling with the relationship they are in. Tiny charcoal marks are seen on the right side of the painting suggesting that there is a second person moving away from them.

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