A World of Concrete and Iron by Jason Batchelor

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The pattern and repetition of corrugated iron and mesh and the muted tones of the greys of galvanising and concrete block work emphasis the rawness of the prison environment. There is little in the way of colour to stimulate the senses.
Hard surfaces that reflect both sound and light.

The pattern and repetition of corrugated iron and mesh and the muted tones of the greys of galvanising and concrete block work emphasis the rawness of the prison environment. There is little in the way of colour to stimulate the senses.
Hard surfaces that reflect both sound and light.

The pattern and repetition of corrugated iron and mesh and the muted tones of the greys of galvanising and concrete block work emphasis the rawness of the prison environment. There is little in the way of colour to stimulate the senses.
Hard surfaces that reflect both sound and light.

The pattern and repetition of corrugated iron and mesh and the muted tones of the greys of galvanising and concrete block work emphasis the rawness of the prison environment. There is little in the way of colour to stimulate the senses.
Hard surfaces that reflect both sound and light.

The pattern and repetition of corrugated iron and mesh and the muted tones of the greys of galvanising and concrete block work emphasis the rawness of the prison environment. There is little in the way of colour to stimulate the senses.
Hard surfaces that reflect both sound and light.

The pattern and repetition of corrugated iron and mesh and the muted tones of the greys of galvanising and concrete block work emphasis the rawness of the prison environment. There is little in the way of colour to stimulate the senses.
Hard surfaces that reflect both sound and light.

The pattern and repetition of corrugated iron and mesh and the muted tones of the greys of galvanising and concrete block work emphasis the rawness of the prison environment. There is little in the way of colour to stimulate the senses.
Hard surfaces that reflect both sound and light.

Jason Batchelor
5 artworks

Top right of biography, Australia

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Artwork Description

Oil on stretched canvas, ready to hang.

Signed on the front.

Painted in prison, the artwork "A World of Concrete and Iron" comments on isolation, voyeurism, and the excesses of structure and expense applied to confine of prisoners by the State.
The imagery references Geoffrey Smart, and his penchant of placing solo figures within overwhelming built environments.
Prisons are inordinately expensive and overwhelming heterotopic environments where people live isolated within a closed, crowed environment.
The weight of structure over the lone figure in this image is representative of the oppressive weight of the social strictures of those incarcerated behind prison walls.

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Medium

Art Spectrum Oils Paints, Applied with brush and knife

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Stretched and ready to hang

This artwork is currently stretched and ready to hang.

Political Art, Architecture Art, Places Art

# satirical, #socialcommentary, #prison, #builtenvironment, #jeffreysmart, #prisonart, #gray, #light blue

Jason Batchelor
5 artworks

Top right of biography, Australia

Ask Jason a question

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All art by Jason Batchelor

A voodoo doll representing the Far North Indigenous population is being pricked by pins in the form of cut down syringes. Q-Health logos are on the syringes.
The doll is pushed into the earth. The earth is bleeding.
Dot work represents the Indigenous culture. The diagonal dividing lines represents two different cultures. The white hand print is representative of Colonialist Fingerprints all over the disaster of this Government initiative.
The leaves stuffed in the doll are smoking; representative of the smoking ceremony used to send the spirit of the deceased home.
For this image the smoking ceremony is being used to send a dying culture back to the earth.
Injectable substance abuse is another nail in the coffin for a culture from a lost time.

A clown holding a bloody box cutter with bloody stumps where his ear were, and severed ears hanging on brown string around his neck. Violent clown image on a muted pale bluish background.

Clown figure on a vibrant red background

The image of a clown pulling his own eye out with a silver plated dinner fork, represents frustrations and self destructive behaviours by a person who has come from place of relative privilege.
The work is auto biographical; brutal; and employs lurid colour choices

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